What is Newsjacking?

Since David Meerman Scott coined the term “newsjacking” in 2011, our team has written nearly 30 unique blogs on the subject — possibly more than any other topic. 

So what is newsjacking? What makes it so important that we would write about it so often? And why should PR professionals care about it?

David defines newsjacking as “the art and science of injecting your ideas into a breaking news story so you and your ideas get noticed.” In doing so, he actually “newsjacked” something familiar to most PR people and packaged it with a clear label – something else PR people do well.

For PR professionals looking to secure earned media coverage, newsjacking provides the opportunity to generate media attention when the organization doesn’t have hard news to share, or when the product roadmap doesn’t contain any new launches or innovations to generate media coverage. Newsjacking can also tie a brand to timely topics that lend themselves to stories in top-tier media outlets that can otherwise be hard to crack with things like company news. 

Top Blog Posts About Newsjacking

Want to learn more about newsjacking? Here are a few of our most popular posts on the topic:

How To Supercharge B2B PR With Newsjacking

Unlike traditional proactive approaches, newsjacking captures reactive media coverage by taking advantage of current news stories. This article outlines how to successfully implement this approach, from advance planning with subject experts to maintaining a library of quotable content. Read on to learn how to take advantage of newsjacking. 

How to “Newsjack” – Ethically 

Opportunistic and insensitive attempts at newsjacking have given it a bad connotation in some circles, but newsjacking doesn’t have to be negative! Dorothy Crenshaw explores the simple tenets of ethical newsjacking in this blog — one of our first on the topic.

PR Tips For Taking Advantage Of Breaking News

When it comes to newsjacking a PR team needs to act fast, but how fast is too fast? How do you know if you’re fast enough? This post explores the timeliness required for newsjacking, as well as tips for how to anticipate trends. 

How To Get Media Coverage When You Have No News

When big things are happening at a company, it makes the PR roadmap pretty clear. But how can you keep an organization relevant and visible in the absence of hard news? From newsjacking to creating your own news with research data, this blog entry explores different ways PR can generate media coverage when your company has no news. 

Unique Ways PR Pros Can (and Should) Consume News

“One of the best and easiest ways to position executives as thought leaders,” says Colleen O’Connor, “is by taking advantage of relevant news stories as soon as they break.” However, successful newsjacking requires staying on top of what’s happening in the news. In this post, Colleen shares tips for how PR professionals — and others looking for the opportunity to newsjack — can stay on top of the 27/7 news game.

 

Looking for even more newsjacking resources? Check out our recent ebook: Newjacking in the Age of Cancel Culture

 

6 PR Pitching Pitfalls And How To Avoid Them

PR professionals make mistakes every day, especially when it comes to pitching stories to the media. But in our line of work, we can risk public humiliation for even a trivial error if a cranky reporter decides to post about a bad pitch. Given the stakes, a small screw-up can be a disaster.

That’s why understanding certain nuances of the media outreach process can mean the difference between a fixable flub and a misstep that compromises the entire pitch or even the team. Repeat offenses like misfired or irrelevant pitches is a quick way to see your email domain blackballed, making your job twice as difficult. This post outlines six common media relations mistakes and ways to avoid them.

Disaster #1: Terrible Timing

A common error is badly timed pitches, especially when it comes to reactive response. That happens in the case of a breaking news development with ramifications in a relevant business sector. There’s an art to timing of a pitch and things get sensitive if the news event is a tragedy, or if a story breaks on a holiday. Knowing when to contact or respond to press — and when not to —  is a highly developed skill. Examples of ill-timed outreach include things as innocuous as sending pitches ahead of the Thanksgiving holiday, or as thoughtless as a lighthearted pitch in the wake of a weather disaster. Badly timed pitching means reporters might call you out in a snarky email, or worse – shame you on social media.

Solution: Read the room. Stay informed, keep an eye on the news and be aware of what’s happening in your industry and the world. Make sure your pitch is relevant and timely, and if it’s not, wait until it is.

Disaster #2:  Embarrassing Embargoes

Being a straight shooter when arranging embargoes and exclusives with reporters is crucial to maintaining credibility and keeping media relationships. For example, don’t promise a collection of reporters an embargo and another contact an earlier exclusive simultaneously. This is the quickest way to sow distrust, alienate reporters and tank your campaign. An irate reporter could also reach out directly to a higher-up in your organization (or the client in the case of an agency team).

Solution: Be transparent, careful and attentive at every step of the pitch process. Be straightforward about deadlines and exclusives. Never give reporters mixed signals.

Disaster #3: Messy Mass Pitches

Once your exclusive or embargo runs, however, you have to get the word out broadly. You’ve updated the pitch, prepped a media list, and are ready to pull the trigger on a mail merge for wider, day-of coverage on your announcement. Seems simple enough, right? Actually, this is probably the most important time to be careful and attentive because once you hit ‘send,’ any mistake can be seen by the folks on your list.

Leaving placeholders in your pitch (i.e. “Hi [First_Name]); including more than four people from a given outlet; emailing general information handles multiple times; typos; forgetting a subject line altogether before sending the merge – all can undermine the pitch and even your reputation for competence.

Solution: Once upon a time, you could rip the ethernet cord out of the wall and stop a typo-ridden mail merge in its tracks, but no longer. So keep your eyes peeled, re-read your pitches, and triple check your lists.

Disaster #4: Follow-Up Fail

I know some journalists tell PR people not to follow up with them, but failure to follow up on a pitch can mean a missed opportunity. We all know media get a huge number of pitches on a daily basis, and many are poorly tailored to their needs. That means they’re more discerning about responding. This makes proper follow-up paramount, especially ahead of a major announcement or launch. If you did the work, got a positive response and then failed to follow-up, your efforts will be for naught. If the response to a well-timed and relevant approach is radio silence, you should follow up, and a regular cadence of touching base is an excellent way to build media relationships.

Conversely, too much follow-up is a mistake. Sometimes silence is the feedback we need to understand a pitch isn’t resonating or a media target isn’t correct. And if a reporter responds and doubles down on their disinterest – take the hint.

Solution: Follow up after you’ve pitched a story ahead of any news or proactive pitches planned. If you haven’t heard back, and the story is relevant, reach out once more. If you don’t get a response after a follow-up note or two at the most, readjust the pitch and  target list for relevance.

Disaster #5: Generic? Don’t bother.

Generic mass email pitches are a surefire way to be ignored by media contacts. They can also derail your ability to deliver results and drive wins that build momentum. The media landscape is already cluttered with more PR folks than reporters (there are approximately 6.2 of us for every journalist out there).

Solution: Find ways to punch up the story and give reporters more to chew on by folding the pitch into the narrative organically. You can strengthen pitches with recent data and statistics, industry anecdotes or analyst assessments around the state of the specific sector, for example.

Disaster #6: Harmful hyperbole (or worse)

The cardinal sin for any PR person is misrepresenting the company, technology or other aspects of the story you’re packaging. PR teams have an ethical responsibility to rise above hyperbole while creating a compelling narrative and being transparent about the nuances of the pitch process.

Solution: Substantiate and frame any assertions with accurate findings and background. Also, be transparent about your pitch practices – the more respect you have for the journalist’s process, the better you can build the relationships you need to succeed.

The PR industry can be a minefield of potential mishaps. But paying attention, honing your intuition and being respectful of those with whom you work should be the baseline for any PR team. A respectful approach will help navigate thorny issues and burnish the reputation of PR people among often jaded journalists.

 

Looking for more PR guidance? We can help. Contact us to learn more about working with our B2B tech PR agency.

How To Personalize Your Media Pitch: PR Advice

The most rewarding – and maybe the hardest – part of working at a top tech PR agency is pitching stories to media. There’s no tougher audience than a journalist, especially in tech. If you think you get a lot of emails in a day, journalists get ten times more, at least. The challenge for PR people is to break into their inboxes, and we can only do that by meeting their needs as well as our own.

In addition to proper research and targeting, there are ways to draft a pitch that will actually be read. Making it personal is a great starting point. Here are six ways to customize a media pitch so journalists read it and respond.

Read their work 

The easiest way to personalize a pitch is to mention a journalist’s past stories or segments. This works well in our field of B2B tech PR, but it’s a pretty universal principle. Tell the journalist you enjoyed their piece on retail media networks or thought an article on data privacy was interesting. Call out specific points that stood out or share your take on the trend. Be genuine, and make sure you then segue seamlessly to the pitch. As Suzanne Struglinski of Industry Dive says, “PR tip of the day – have you read, watched or listened to anything done recently by that journalist in that news outlet you want to cover your news? No? Time to fix that.” Following top journalists, consuming their content consistently, and reacting to it in meaningful ways will help when it comes to personalizing any outreach.

Personalize the subject line

An overly generic subject line is a story-killer, so if you’re including a tidbit on a recent story or appearance, flag it in the subject line. It’ll instantly tell the journalist that your pitch is personalized rather than the result of a mass mail-merge. Naturally, it will be more likely to catch their attention. But be sure to follow through in your pitch so that the email doesn’t come across as a bait-and-switch type of note.

Stay current on panels and appearances

Journalists often make great panel moderators. They know their industry and know the questions that get a conversation started and keep it flowing. Speakers’ panels are great tools to get insight on relevant topics and gain an understanding of priority media. Mention a journalist’s most recent panel or speaking gig in your pitch, and offer feedback. It will show engagement, and let’s face it, everyone appreciates an audience.

Bring up prior communications

Once you’ve secured a great opportunity, use it to your advantage. Remind the journalist that you chatted previously, or that they covered one of the stories you offered. Assuming it went well, they’ll likely be keen to hear from the same executive or be open to a fresh pitch involving the company. Or, you may be able to refer to a colleague or mutual journalist friend to help them make the connection.

Follow them on social media 

Similarly, feel free to mention a post or tweet from the journalist in your pitch. Obviously, it shows you’re paying attention and may help build a rapport. However, we don’t recommend pitching a journalist via Twitter or other social platform. They probably get enough direct messages, and it’s not smart to add to those unless they’ve invited DM pitches, or if it’s absolutely the last resort. But of course if you see a journalist tweet about a trend relevant to a story you’re pitching or a post asking for POVs from industry experts, you should reference it in your pitch.

Following journalists on social media also offers tips and insights. They’re not shy about what they personally do and do not want to see in their inbox from PR people. Some despise getting pitches that offer an exclusive chat with an executive or don’t appreciate receiving commentary on breaking news.

Don’t pitch everyone at one publication

This has less to do with what goes into your pitch than how you do it. You will likely have multiple reporters from the same publication on your list, but instead of pitching all at once, offer your story or interview to a single journalist. If they don’t get back to you after 24 hours or so, move on to the next. Through our media outreach efforts here at Crenshaw, we’ve found that reporters appreciate when they’re the only one pitched at their publication. If you think they don’t know who else at their outlet you’ve contacted, you’re wrong. Journalists at the same publications are having the same conversations with their editors and will find out if they received the same pitch. This might seem tedious but in the end you could create a great relationship with that journalist who bites.

Don’t Hang Up! PR Phone Pitching Isn’t Dead

According to most people who work at PR agencies, especially tech firms, using the phone for media conversations is outdated. Hardly anyone thinks it’s useful to follow up, or worse, actually pitch a story by phone. PR pundits insist that phone calls will not earn you many friends, and at best it’s a waste of time.

So how is it that most of the greatest earned media placements in my 20-year PR career have come from a connection I’ve made on the phone?

Left to my own devices, I will send an email and follow-up by phone or, dare I say, even a cold call. In my experience, more than 90% of the time when I do connect with someone by phone, they end the call requesting the email pitch. Mind you, it’s the same email pitch I already sent. The email pitch they never read.

There’s no blame here. These producers, writers, reporters and editors receive thousands of emails a day. I’d venture to say they’re pitched far more often now than in the days when PR people routinely pitched by phone. Even then, many people were shy or uneasy about talking. For me, talking has come naturally.

l recall working at a popular consumer public relations firm where the owner asked me to train everyone on staff to talk on the phone. At that time, it was part of the job. PR people can get away without being on the phone now, to the point where we have a different problem. Over-dependence on our devices has sent people into hiding. No one even wants to talk anymore. What’s more, I don’t think they know how.

Overall, verbal conversation is a lost art. Baby boomers came into the workplace before computers and cell phones, so they relied on face-to-face communication and in-person networking. But Gen-Xers and Millennials raised on technology are comfortable conversing almost exclusively on a device. They think of social media as actually social. And they substitute an emoticon for real emotion.

But in our business, a big part of a publicist’s job is communication and persuasion. If a pitch has no relevance to a journalist’s work, personality will not win them over, but it might get a referral or build a relationship for the next one. Meanwhile, here are a handful of tips I culled in my years of successful pitching on the phone:

Smile

No, not in a “smile-and-dial” telemarketing sense. But as you tap the number, smile as if you’re about to shake hands and meet someone. Your voice sounds different when you talk with a smile. Try it.

Match your voice to your audience

Loud, soft, animated or not, that’s the mood of the person on the other end of the phone. Match their volume and intensity. You want to meet them where they are and, hopefully, engage them.

Practice just enough to sound natural

Get your elevator pitch down so you know what you want to say, but be sure to sound conversational. You know how you can’t stand talking to telemarketers who sound robotic? Don’t sound like that.

Do you know?

If you’re calling a specific geographic area and have a personal tie-in, a quick icebreaker can be fun.

And…who else do you know?

If it’s not right for the person you’re talking to, can you find out who might like it? There’s nothing better than putting someone’s name as a referral in a subject line.
Oh, one last thing. Make sure you know how to work the phone!